I am with you, walking,
I confidently lead us three times over the same bridge.
True or false - it's poetry?
I confidently lead us three times over the same bridge.
I'm fuzzy on facts and places.Memory, for me, misplacesPeople's names and faces.
My mind is loosey-goosey,Non-stick specifics are lost
In the juicy flavour-feels.
Like whenOn the street, you remark on a hi-viz guy
Says I, with a shrug,
-He's workin for the council.
Beneath the many turning galaxies,
We're unanimous in grinning,
-Has been twenty years!
Perhaps you and I had a destination,
There was probably traffic.
I forget everything
But the stars in my bones.
Thank you for reading and commenting
Life happened so hard, but
Who cares over a glass of beer or two?
I need awe on a daily basis to survive.
I have kept a note of this gorgeous carving;
May it be its own reward when needed.
I can't like it due to problems but I like it!
The title is just chef's kiss perfect.
I feel this to my bones, love
the idea of collecting stones
And souls. This looks like my life!
I like that you mentioned
The necessity of drought
Cleaning the ocean of pirates.
This is magical, God
I am stumped by your art.
Lovely lovely lovely lovely.
Insanely kind of you to say!
To be witness to the madness,
Captured by the moon-shaped guitar,
Whose rhyme just clicks into place.
I'm not sure what romp means even
Though you went deeply into sensuality
And might not have been a person at all
But boy you said it well – and in new ways.
Lovely dog photo too!
Your poems instantly brought back the world
Your beautiful, concrete poems.
It's watermelon season and
We evoked the sound of the cuckoo.
Your comments made me sit a little bit taller.
I hope you had coffee and crumpet.
This made me smile, to know
That my words landed for you.
Consciousness stirs in the presence of a good spice.
Day Thirty
Backseat midnight car to Cornwall,
Romeo to Juliet lays out
Just that the time was wrong.
Devouring midnight down the years,
I never quite got my timing right.
A friend never had this education.
No wonder he's getting divorced;
He never learned how to fall in love.
Day Twenty-Nine
Seems like you were always leaving
Or left. Leaving with
Your roaring engine voice.Left in the split
Of your fire-cracked glacier voice.Fleeing the Texan woman's life
At your throat.Left-field, gone big in The CitySinging in colours the let me bePurple plea of the wounded.Seducer of tied-off fusesWith no match left unlitBy your spilt whiskey voice.Leaving behind the foreboding,Real-known moment,Of needing to swim in gasolineWhen you couldn't quit lighting matches.Left lonely by lovers, withOnly what was left in the wakeOf your Russian roulette voice;Your Pollock-paint lifeOf daring too muchTo be too different.Leaving us at twenty-sevenWith only your brass rocket voice.
"Show my head to the people, it is worth seeing."
- Georges Jacques Danton, French revolutionary
My family song waxes long
as I am in the tooth.
I might die
in the duration of the dirge,
the drawn-out vowels
like dragged-out bowels;
a most prolonged execution.
Light a candle for our
huddled, gut-pulled parlance.
Let us groan in dissonance.
How I long
for one swift stroke of a song
A get-it-over-with, choppy song
A flash of the axe and a slice
of cake.
Day Twenty-Seven
Manchester Art Gallery's exhibition Rethinking the Grand Tour reassesses art of the British Empire. The subject of my poem, A Niger Fisherman, can be seen on this page.
I almost wish the curator's note gone,framing this apricot syrup sun as
pulp, squeezed through a fist;The fishermen lit like fantasy;Marketed beauty for turning heads
Empire-conscious.I stand palewith the undepicted details.My skin, prickledEmpire-conscious.If I took this little rethinking card,
silenced it in my pocket,
marker-penned out the unseem'dlegacy line of Empire Marketing Board,might it quiet this discomfort?
The sun, laid unsickly on the river.The river, not bleeding the sun.The mangrove, wading the riveruncurated. Unmolested.The fisherman's net, swungmore free beneath the mangrove.
I am with you, walking, And we check the day's step count. We are weaving in the woods, braiding together paths of past and future. C...